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About Kable

Kable...Kay Bonya has been making her own brand of music since the 90's...oscillating between guitar-driven rockish cuts, psychological explorations, storytelling and dreamscapes...you never know which instruments are going to build the song but as each cd progresses, they flesh out into a complete work, encapsulating the many moods of Kable.

A Kable history written by Kay..."Kable's beginnings in June of 1994 were somewhat of a fluke.  I  was asked to check out a piece of used equipment that was just purchased for Deep Dot Studio. It was a Tascam DA88 recording deck. In the garage apartment living room, i looked around for sound-makers to record to each of the 8 tracks. I grabbed a cheap little Tascam M-06 mixer and an autoharp that had most of its strings and strummed a few chords. Good, track one seemed to work. Track by track, i added sound and checked out the new machinery. Seven tracks later,  Redo Makeshift came by to check the progress. "works great-one track left for you!" Redo added some organ and the first Kable song, "Hazy" was born. You might be thinking, "Why not just use the recording studio down the street?" But Deep Dot was having a busy year in '94, so off to Deep Dot went the DA-88, and back to the apartment came a Tascam reel to reel analog TSR8 recorder that wasn't being used at the studio anymore. Now I had recording-fever so i set up in the living room and started  recording  the first Kable cd, Chlorophyll. My technique on this cd was crude. The goal was to start and finish each piece in one day, very limited overdubs, focus on creating sounds more than songs, just spit it out and run. A technique you can only get away with in the beginning, and so i did."

Fast forward 12 years and 5 cds later...the Kable sound and technique have progressed somewhat but the focus is still on "making a mood", and the varied instrumentation aspect will probably never change. When I get ready to record a piece, I usually have a starting instrument in mind, and if it doesn't click I scratch the notion and try something else until a mood falls in place. And then there's live Kable shows, which have even a different twist and enrgy when adding in long-time friends and bandmates Redo & Ardo...

What am I up to these days?...finished recording and mastering the 5th Kable cd, "The Hand" now available from Deep Dot Records, dreaming up ways to make new sounds, fiddling with some experimental recording techniques, leading a Tuesday night Gospel singalong with Redo at a local campground/RV park, teaching guitar to children, growing some year-round tomatoes and peppers, taking lots of wildlife/flower photos, still riding my bike................

Kay Bonya's band history before Kable.....
SPLATTER 1987-1991
Rockin outfit with Ronnie(Ron Kenya)Brandon on bass, Jeff(Grave Largo)Walker on drums, Redo Makeshift and Kay Bonya on guitars for the first couple of years until Ron left the band and Redo switched to bass. Jeff Walker currently drums with Texas band Ben Beckendorf, and the whereabouts of Ron Brandon are unknown until someone reads this and lets me know. (Recent Update: Ron Brandon reports that he is living outside of Austin)
RETARDO AL DANTE 1991-1995
More rock/psych with Jeff(Ardo Odra)Bobbitt and Kay making the guitar machine, Redo Makeshift on bass & sometimes keyboards. This outfit was usually drummerless except for a brief and wonderful era when John Kennedy(Mo Shuffles) added his drum/percussionality to the group. John's timing was good because at least he was able to be with the band during the "80's for Aids" fundraiser at Numbers in Houston. After all, you almost have to have a drummer to cover 80's music, right?    J.A. Bobbitt later went on the work in Overlight/Underdark for a while and is now about to release not one but two cd's of his music. Check him out on myspace J A Bobbitt). John Kennedy moved to New York City...not sure who he's working with but I'd like to know if anyone knows...(Recent Update: I've heard from John and I'm listening now to his CDR "If and When" (now available) http://www.magneticpitch.com/... great music!)
Says Kay, "All these guys were great musicians and excellent band-mates...."

John Kennedy at Magnetic Pitch


In December of 94, the folks at Lazy Squid Records put out a compilation of Houston bands,"Risk is Just a Part of The Game", as a follow-up to Deep Dot's 1992 compilation, "Great Big Pile." The Kable cut caught the ear of Kurt Brennan, founder of Fleece Records. Finding out that Kable was the work of Kay Bonya, he realized this was the same Kay who used to work at his music store, Record Exchange (now Sound Exchange) several years back.
He invited her to release "Chlorophyll" on Fleece, which turned into a long term partnership with the release of the subsequent discs, "Tardy all the Time," "Kable 3," and "Boar of the Forest".

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The artist at work.


Blurbs from months past....

Sept 2011: THE HAND has arrived!!

Oct 2010: Wow, my first release without the wonderful, but now defunct, Fleece Records. But, The Hand is ready so now i am looking for a new label to call home...oh that it would be like minded in art and spirit...

Summer 2010: All done with the production of the new disc, "The Hand". Would like to start some new recording, but hesitate until The Hand is released. Otherwise I might feel like I need to add whatever new pieces I make to the disc and start messing with a project that is completed. OK...maybe with some self control....

May 2009: Deep into mixing & mastering the new cd...i like automated mixing...I remember when I didn't want to switch to computer based recording. I said "I like standing in front of the mixer and the stability of a free standing recorder." And I do like those things, but this has a whole new visual dimension, seeing the tracks, the look of waveforms.  And there's so many ways to experiment with mixes.  

January 2009:  Wow, hurricane Ike last fall really put a damper on recording momentum, but thankful to still have a home to live in. Deep Dot was spared quite the trauma. A large tree with 2 main trunks grew at the north end. When it succumbed to the north wind, one trunk went to the left and one trunk went to the right, straddling but not touching the studio wall. Very thankful indeed! Anyhow, things are almost back to normal and it's time to get back to work on Kable 5...

June 2008: Much further into the recording of Kable 5...now it seems to have a stronger drum overtone and less folk sound than previous discs. Whatever the case, they have been fun recording sessions!

December 2007: thought i might round out the year with a lively bluegrass type recording in the kitchen...but the instruments and ideas didn't feel inspired...then the project moved into the dining room and ended up being a percussion festival with dishes....who knew that Corningware could have such pure and lovely sound? Anyhow, it's time to give those tracks a listen and see what sounds are in store for overdubs...till next year....

October 2007:      Still the slow healing from wrist surgery...archiving lots of recordings of stuff from the vaults of Deep Dot Studio. Trying to get all DAT masters off the tape format. This should keep me busy for some time. Check out the new Deep Dot page here at the site. It's a work in progress--I'm trying to list the bands that recorded there during its run from 1990 to 1997. If you worked at Deep Dot, go the page and send me any pics, info , links etc. that we can post. thanks!

Aug. 2007
....now recovering from wrist surgery, and cautiously holding a pick, learning the true art of restraint...
may 2007:      Kable show at lined up at Diverse Works-Houston! Check it out at on July 20th with Jana Hunter and Hearts of Animals. Wrist surgery postponed till after...

march 2007:   Started work on the 5th Kable cd, which is sounding very mandolinish. A bump in the road (wrist surgery) must be dealt with early this summer and then it's back to work I imagine... 

jan 2007: Well, the 4th Kable cd "Boar of the Forest" was released on Dec. 8, 2006. "Boar" continues on with the varied Kable style of many different instruments and home-made sounds, and it seems that this disc has more of a guitar overtone than some of the others.

Concert in July with Jana & HOA
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